national film board of canada

[20], In 1956, the NFB's headquarters was relocated from Ottawa to Montreal, improving the NFB's reputation in French Canada and making the NFB more attractive to French-speaking filmmakers. In the meantime, to view a selection of recent works by some of Canada’s greatest women filmmakers, click here. As stipulated in the National Film Act of 1950, the person who holds the position of Government Film Commissioner is the head of the National Film Board of Canada (NFB). [12], In 1938, the Government of Canada invited John Grierson, a British documentary film producer who introduced the term "documentary" to English-speaking film criticism, to study the state of the government's film production. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. Traditional animators included Richard Condie, John Weldon, Allison Snowden, Janet Perlman, Cordell Barker, Brad Caslor, Michael Mills, Paul Driessen among others (some draw on paper rather than cels). It has English-language and French-language production branches. [118] The first-ever Oscar for documentary went to the NFB production, Churchill's Island. NFB creators continue to break new ground in both form and content, in documentary and animated films, pioneering interactive works, including virtual reality projects and mobile content, and immersive, participatory experiences. [35], When Norman McLaren joined the organization in 1941, the NFB began production of animation. [32][87][88], Notable films produced by the studio include three Academy Award-winning documentaries I'll Find a Way (1977), If You Love This Planet (1982) and Flamenco at 5:15 (1983), as well as Not a Love Story (1982) and Forbidden Love: The Unashamed Stories of Lesbian Lives (1992). The service would be available internationally and would feature documentaries from around the world as well as the NFB’s own catalogue. Over the years, the films in the NFB collection have garnered more than 5,000 awards and honours, including 5 Palmes d’or at Cannes and 12 Oscars. Experimental filmmaker Moïa Jobin-Paré transforms photographs into etchings and sound into motion in this ode to touch and the tactile world. This page is having a slideshow that uses Javascript. [94] In 2018-19, 48% of NFB works were directed by women (38% by men and 14% by mixed teams), and 44% of the NFB production budget was allocated to works created by women (41% for works by men and 15% for works by mixed teams). [73], In November 2011, the NFB and partners including the Inuit Relations Secretariat and the Government of Nunavut introduced a DVD and online collection entitled Unikkausivut: Sharing Our Stories, makes over 100 NFB films by and about Inuit available in Inuktitut and other Inuit languages, as well as English and French. Our Collection. This site is accessible to people who are blind, visually impaired or hearing impaired. The term pixilation itself was created by NFB animator Grant Munro in an experimental film of the same name. ", "The National Film Board of Canada in the Year 2000: Action Plan, A New Charter for a New Century", "What's inside the new NFB iPhone App - NFB/blog", "The NFB Films iPad app is now available! We’re looking forward to a number of upcoming releases of films spearheaded by women. [96] Cinéaste recherché(e) is a similar program for French-language emerging animators. The National Film Board of Canada (NFB; French: Office national du film du Canada (ONF)) is Canada's public film and digital media producer and distributor. Moreover, in 1997 the American cable channel Cartoon Network created a weekly 30-minute show called O Canada specifically showcasing a compilation of NFB-produced works; the segment was discontinued in favour of Adult Swim. The following is an incomplete list of the winners. [98], As of 2015, the NFB is organized along the following branches:[99]. Screenwriter Jacques Bobet, hired in 1947, worked to strengthen the French Unit and retain French talent and was appointed producer of French versions in 1951. [110], As stipulated in the National Film Act of 1950, the person who holds the position of Government Film Commissioner is the head of the NFB. [32][33], NFB documentarians played a key role in the development of the IMAX film format, following the NFB multi-screen experience In the Labyrinth, created for Expo 67 in Montreal. At the NFB, we’re committed to carving out a fully inclusive and welcoming space where women of all backgrounds can write, direct, shoot, edit and score films—be they short or feature-length, docs or animated works. Discover THE CURVE: Social distancing stories that bring us closer together, and read the Commissioner's letter. Interactive Studio in Montreal, headed by Executive Producer, Ontario and West Studio based in Toronto, headed by Executive Producer: Jacques Turgeon, Quebec Studio based in Montreal, also headed by Executive Producer: Jacques Turgeon. After Expo, Kroitor left the NFB to co-found what would become known as IMAX Corporation, with Graeme Ferguson and Robert Kerr. [38], McLaren's Oscar-winning Neighbours popularized the form of character movement referred to as pixilation, a variant of stop motion. Canadian Government Motion Picture Bureau, Ladies and Gentlemen... Mr. Leonard Cohen, Category:National Film Board of Canada animated short films, IDFA DocLab Award for Digital Storytelling, Forbidden Love: The Unashamed Stories of Lesbian Lives, Canadian Museum of Contemporary Photography, Category:National Film Board of Canada people, Volcano: An Inquiry Into the Life and Death of Malcolm Lowry, The Colours of My Father: A Portrait of Sam Borenstein, The Boy Who Saw the Iceberg / Le garçon qui a vu l'iceberg, International Academy of Digital Arts and Sciences, Not a Love Story: A Film About Pornography, "Un territoire, deux districts électoraux", "L'ONF déménage dans le Quartier des spectacles à Montréal", "Digital is the future of film, television, new media, says Tom Perlmutter", "NFB's Ontario Studio gets new Toronto digs", "FEDERAL BUDGET 2016: Arts community had better spend its budget money wisely", Connected worlds: history in transnational perspective, Volume 2004, "Propaganda Cinema at the NFB – The World in Action", "Five Filmmakers in Conversation with Gerald Pratley", "National Film Board of Canada/Office national du film du Canada", "Canadian Film Policy: History of Federal Initiatives", "Challenge for Change launched, a participatory media approach to citizenship education", "Films, Tourists, and Bears in the National Parks: Managing Park Use and the Problematic 'Highway Bum' Bear", "Canada Vignettes: Essential Canadiana, eh! [13], In 1940, with Canada at war, the NFB launched its Canada Carries On series of morale boosting theatrical shorts. [17], During the 1940s and early 1950s, the NFB employed 'travelling projectionists' who toured the country, bringing films and public discussions to rural communities. [71][72], One of the most notable filmmakers in the history of the NFB is Alanis Obomsawin, an Abenaki director who will be completing her 50th film with the NFB in 2017. [35] Generally starring non-professional actors, these films used a documentary format to present a fictionalized story and were generally scripted by the filmmakers and the cast through a process of improvisation, and are thus classified as docufiction. As of March 2013, the NFB devotes one quarter of its production budget to interactive media, including web documentaries. [169] In 2014, the interactive photo essay The Last Hunt received a People’s Voice Award Webby for best navigation/structure. Documentary Production in the Era of COVID-19. [59] In January 2010, the NFB added high-definition and 3D films to the over 1400 productions available for viewing online. [1]  Production personnel are between 10-25%. These images were widely distributed through publication in various media. The NFB has pioneered developments in social documentary, animation, documentary drama and direct cinema; and it has … As of October 2009, the Atlantic Centre also operates an office in St. John's, Newfoundland and Labrador. Four years after making a commitment to gender parity, the NFB continues to meet its parity goals, both for the number of productions directed by women and for production budgets allocated to women. (political aspects of Academy Awards, 1983).Richard Grenier. [24], During the 1970s and early 1980s, the National Film Board produced a series of vignettes, some of which aired on CBC and other Canadian broadcasters as interstitial programs. Commentary 75. The organization has a hierarchical structure headed by a Board of Trustees, which is chaired by the Government Film Commissioner and NFB Chairperson. Twelve five-minute films were produced through the program, with four from each province. Government Film Commissioner and Chairperson of the NFB. The Unknown Photographer won the People's Voice award in the Online Film & Video/VR: Gaming, Interactive or Real-Time category, while Universe Within received the Webby for Online Film & Video/Best Use of Interactive Video, and Cardboard Crash VR for Google Cardboard won in the category of Online Film & Video/VR: Gaming, Interactive or Real-time (Branded).[54]. [51][52], The NFB is also recognized as a leader in virtual reality,[53] with works such as the Webby Award-winning The Unknown Photographer, Way to Go and Cardboard Crash. [176] Released the following year, If You Love This Planet, winner of the Academy Award for best documentary short subject, was labelled foreign propaganda under the Foreign Agents Registration Act of 1938 in the United States. The plan also sees the NFB building on its relationships with Canadian schools and organizations to create more educational materials about Indigenous peoples in Canada. [29] The NFB eliminated 73 full and part-time positions. Here you’ll find documentaries, animation for all ages, interactive works, fiction and experimental films—plus learning resources for schools and institutions. [109] In September 2013, the Université du Québec à Montréal announced that it had acquired the CineRobotheque for its communications faculty. See how we’ve been doing here. We see it instead as an important and attainable goal. In spring 2019, the NFB moved its headquarters from the Norman McLaren Building in the Montreal borough of Saint-Laurent to the new Îlot Balmoral building located at Montreal's Quartier des spectacles, adjacent to the Place des Festivals [fr] square. At the NFB, we’ve given ourselves until 2019 to achieve—and sustain—full gender parity in the number of films directed by women (and the resources allocated to their projects) and until 2020 to achieve parity in key creative positions for animated, documentary and interactive works.

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